Monday, December 14, 2009

The Visitor

The Visitor

"In Connecticut, the widower and lonely Professor Walter Vale has a boring life. He teaches only one class at the local college and is trying to learn how to play the piano, despite not having the necessary musical talent. Walter is assigned to attend a conference about Global Policy and Development at the New York University, where he is to give a lecture about a paper that he is coauthor on. When he arrives at his apartment in New York, he finds Tarek Khalil, a syrian musician, and Zainab, a Senegalese street vendor living there. He sympathizes with the situation of the illegal immigrants and invites the couple to stay with him. Tarek invites him to go to his gig in the Jules Live Jazz and Walter is fascinated with his African drum. Tarek offers to teach Walter to play the drum. However, after an incident in the subway, Tarek is arrested by the police and sent to a detention center of immigrants. Walter hires a lawyer to defend Tarek and out of the blue, Tarek's mother Mouna appears at Walter's apartment from Michigan. He invites her to stay in Tarek's room and while trying to release Tarek, Walter and Mouna get close to each other and he finds a reason to live an exciting life again."

4 Stars

If you can get past the initial premise to this movie, then it opens up a whole bevy of emotions and really ends up being a beautiful film. The reason that I say that you need to get past the premise is that I think it is somewhat improbable. Walter (Richard Jenkins) returns home from a semester teaching in Connecticut to find two illegal immigrants living in his New York City apartment. It is really no one’s fault as Tarek (Haaz Sleiman) and Zainab (Danai Jekesai Gurira) were duped by a man posing as a landlord to the building through whom they thought they were leasing the apartment legally. In an act of extreme kindness (and slight stupidity) Walter allows the couple to stay with him until they find somewhere else to go. This is, in my opinion, the improbable aspect of the movie. How many of us would feel safe or comfortable with ANY stranger living under the same roof in this day and age? I don’t think I’m paranoid to think that I wouldn’t be as gracious as Walter. None the less, he does offer his hospitality and the movie goes on from there.

Walter is shown as a very simple man who has become more and more detached from people and his job since the death of his wife. His indifference is shown when he simply whites out the year on his college course’s syllabus rather than putting forth the effort of creating a new one for the semester. Even the reason for him returning to New York shows the lack of passion he feels for his job. He is forced to present a paper (for which he is the co-author) at a conference in New York. It turns out that he didn’t actually do any work on the paper; he just lent his name out to a colleague since he has such a solid academic reputation. Walter tries to convince himself that he is so unengaged with the course he is teaching because he is so focused on writing his own book, but he even has trouble convincing himself of that. The only glimpse of internal struggle we see is the fact that he apparently is trying very hard to learn the piano, a desire probably resulting from the fact that his late wife was a concert pianist.

His very mundane life is turned on its ear with the appearance of Tarek and his girlfriend. Walter immediately becomes very close to Tarek, a relationship that I think is based on the common feeling that both men have of being an outsider. Tarek is an outsider in the country and Walter seems to be an outsider in his own life. Zainab and Walter don’t have as strong of a connection, but they do get along. Walter is fascinated with the African Drum that Tarek plays every day in Washington Square park, so much so that Tarek eventually offers to teach him how to play. Things turn badly though when Tarek is arrested for a minor offense and, in turn, faces possible deportation back to Syria. Tarek’s arrest brings Tarek’s mother into Walter’s life and they experience a very interesting relationship, one that is probably the most sincere that Walter has had in a long time.

The best thing about this movie is that it doesn’t really follow any formula. I’m not saying that there are shocking plot twists, but more than once I was expecting a generic plot element to happen and it never did. The aspect was either left to the imagination or a completely different plot aspect was introduced. The acting is also brilliant. There is a constant feeling that the emotions that actors are trying to convey are raw and real. I can’t really explain why the performances stand out the way they do other than to say these people truly understood the material they were working with. So much so that Richard Jenkins was actually nominated for an Academy Award for his role. That really says something because his film was substantially less widely known than any of his fellow nominees’. The Visitor is just a movie about a guy who seems to be lost in his life at an age where most people seem to have everything figured out. It turns out this uncertainty is really a blessing in disguise in the fact that Walter ends up meeting people and doing things that he might never have had the chance to otherwise.

Big Night

Big Night

"Primo and Secondo are two brothers who have emigrated from Italy to open an Italian restaurant in America. Primo is the irascible and gifted chef, brilliant in his culinary genius, but determined not to squander his talent on making the routine dishes that customers expect. Secondo is the smooth front-man, trying to keep the restaurant financially afloat, despite few patrons other than a poor artist who pays with his paintings. The owner of the nearby Pascal's restaurant, enormously successful (despite its mediocre fare), offers a solution - he will call his friend, a big-time jazz musician, to play a special benefit at their restaurant. Primo begins to prepare his masterpiece, a feast of a lifetime, for the brothers' big night..."

4 Stars

I will tell you one thing for sure about this movie, it will make you hungry. Big Night is a story of a failing Italian restaurant on the Jersey Shore in the 1950s. It is run by Secondo (Stanley Tucci) and his chef/older brother Primo (Tony Shaloub). If you speak Italian or Spanish, you will get the irony of their names.

To be honest, there is not a lot of flash or style to this movie, but I still think it’s really good. At the heart of the film is the relationship of two brothers. Secondo constantly wrestles with the business side of the restaurant and is perpetually getting closer and closer to selling out in order to have a successful business. He can pander to the locals and give them the “Americanized” Italian food that works so well for their competitor restaurant down the street or he can stay true to his Italian heritage and produce good quality food. For Primo the issue is much clearer. He will see the restaurant close and move back to Italy before he compromises even the slightest degree of quality of his food. Because of this, they do what brothers do and butt heads constantly over the future of the restaurant. In the end though, they prove that family is the most important thing. The final scene is about 5 minutes long, but there are no words spoken. Instead, they speak volumes with just their actions and you are left with a truly heartwarming feeling. If you appreciate good acting, this is definitely a movie I would recommend seeing.

Wednesday, December 9, 2009

Paper Heart

Paper Heart

"
Paper Heart follows Nick and Charlyne on a cross-country journey to document what exactly "love" is. Interviewing ministers, happily married couples, chemists, romance novelists, divorce lawyers, a group of children and more, the determined young girl attempts to find definition and perhaps even experience the mysterious emotion. But as they travel across the United States and even venture to "The City of Love" her pessimistic denial may hinder her chances at finding real happiness."


2 stars

I've read that the makers of this film are calling it a "hybrid documentary," since it blends traditional documentary with fictional story telling. A good idea in theory, but hard to pull off. It's a thin and awkward line, one that Charlyne does not walk well, and it's really obvious which scenes are staged and which are real. Michael Cera is famous enough now to be distracting rather than acceptable in his 'role' as Charlene's love interest.

My favorite parts were the real documentary - interviewing people about love (a middle-aged divorcee, a biker gang, a couple who married when they were 17). There's the straight-forward conversation, followed by a cute and entertaining puppet version of an anecdote. Trust me, it sounds weird but it works. 

If this was an honest documentary in the style of This American Life, it would have been enjoyable. Or if it was a fictional movie about a girl making a documentary, it would have been enjoyable. But trying to do both at the same time just doesn't work.

Friday, December 4, 2009

84 Charing Cross Road

84 Charing Cross Road

"When feisty New York City writer Helene Hanff (Anne Bancroft) mails a note to a small London bookshop asking for some rare English classics, reserved bookseller Frank Doel (Anthony Hopkins) answers her request, beginning a touching and humorous correspondence. Across two continents and over the course of 20 years, Frank and Helene come to rely on the extraordinary friendship stemming from their intimate missives."

4 stars

This is a movie for book lovers, period. Anyone else will find it too slow, too boring, too gentle. But as a book lover, I greatly enjoyed it. The epistolary style (think You've Got Mail) is a favorite of mine, and the fact that the movie is based on the book which is based on the actual letters between Helene Hanff and Frank Doel just makes it all the sweeter. And I love Anne Bancroft, who is great in this role (but then, when isn't she?). There's no contrived romantic tensions, just the simple, honest story of genuine friendship. Enjoyable, stress-free, and comforting to watch.